Politics, Art and Culture in the Italian Renaissance: Venice and Florence, c. 1475 - 1525

PRESCRIBED WORKS OF ART 2023/24

Tag: Catherine

Ugo da Carpi | Hero and Sibyl

  BIBLIOGRAPHY Landau, David and Peter Parshall. The Renaissance Print: 1470 – 1550. New Haven: Yale University Press, 1994. Especially chapter IV, “Titian, Parmigianino, and Rosso, and their Collaboration with Ugo da Carpi, Caraglio, and Antonio da Trento, pp. 146 – 154.  Digitised on SOLO. Lincoln, Evelyn. The Invention of the Italian Renaissance Printmaker. New Haven: Yale University Press, 2000. See Chapter 2 for the development of the chiaroscuro woodcut in Italy. Digitised on SOLO. Parshall, Peter. “Ugo da Carpi, Raphael and his Mistress and The Odyssey: A Reinterpretation.” Print Quarterly  26, no. 2 (2019): 160 – 162. To view, click here. Takahatake, Naoko. The Chiaroscuro Woodcut in Renaissance Italy. Los Angeles: Los Angeles County Museum of Art, 2018. Cat 18.   ADDITIONAL READING Bialler, Nancy. Chiaroscuro Woodcuts: Hendrick Goltzius (1558 – 1617) and his Time. Ghent: Snoeck-Fucaju & Zoon: The first chapter is a brief introduction to the international chiaroscuro woodcut, and considers the works of Ugo alongside northern counterparts. To view, click here.   

Marcantonio after Dürer | The Birth of the Virgin

BIBLIOGRAPHY Pon, Lisa. Raphael, Dürer, and Marcantonio Raimondi: Copying and the Italian Renaissance Print. New Haven: Yale University Press, 2004. Chapters 2 and. Digitised on SOLO. Wouk, Edward H. Marcantonio Raimondi, Raphael and the image multiplied. Manchester: Manchester University Press, 2016. Print.   For a brief overview of Marcantonio’s life, click here. 

Mantegna | Battle of the Sea Gods

BIBLIOGRAPHY Christiansen, Keith. The Genius of Andrea Mantegna. New Haven: Yale University Press, 2010. pp. 47 – 63. Digitised on the Metropolitan Museum Website.  Landau, David and Peter Parshall. The Renaissance Print: 1470 – 1550. New Haven: Yale University Press, 1994. Chapter III, “The Development of a Tonal System” and “The Market.” Digitised on SOLO. Lincoln, Evelyn. The Invention of the Italian Renaissance Printmaker. New Haven: Yale University Press, 2000. See Chapter 2 for the development of the chiaroscuro woodcut in Italy. Digitised on SOLO. Oberhuber, Konrad. “Mantegna and the Role of Prints: A Prototype for Artistic Innovation in the North and the South.” In Renaissance Venice and the North: Crosscurrents in the Time of Bellini, Titan and Durer. Edited by Bernard Aikema, Beverly Louis Brown. Milan: Biompiani, 1999. Click here to access. Simons, Patricia. “Mantegna’s Battle of the Sea Gods: the material and thematic interaction of print and sculpture.” In Prints in Translation, 1450 – 1750: Image, Materiality, Space. Edited by Suzanne Karr Schmidt and Edward H Wouk. Abingdon: Routledge, 2017: 89 – 113. Digitised on SOLO.   FURTHER READING Boorsch, Suzanne and David Landau. “Mantegna and Prints.” The Burlington Magazine 135, no. 1089 (1993): 826 – 828. Response to Christiansen article below. Digitised on JSTOR. Christiansen, Keith. “The Case for Mantegna as Printmaker.” The Burlington Magazine 135, no. 1086 (1993): 604 – 612. Digitised on JSTOR. Emison, Patricia Anne. “Invention and the Italian Renaissance print, Mantegna to Parmigianino.” PhD Thesis: Columbia University, 1985. Chapter 1, “Andrea Mantegna as Print Engraver.” Digitised on SOLO. Fletcher, Shelly. “A Closer Look at Mantegna’s Prints.” Print Quarterly 18, no. 1 (2001): 3 – 41. Digitised on JSTOR. Flowler, Caroline O. ” ‘Res Papirea’: Mantegna’s Paper Things.” The Art Bulletin 99, no. 1 (2017): 8 – 35. Digitised on JSTOR.  

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