BIBLIOGRAPHY

Landau, David and Peter Parshall. The Renaissance Print: 1470 – 1550. New Haven: Yale University Press, 1994. Especially chapter IV, “Titian, Parmigianino, and Rosso, and their Collaboration with Ugo da Carpi, Caraglio, and Antonio da Trento, pp. 146 – 154.  Digitised on SOLO.

Lincoln, Evelyn. The Invention of the Italian Renaissance Printmaker. New Haven: Yale University Press, 2000. See Chapter 2 for the development of the chiaroscuro woodcut in Italy. Digitised on SOLO.

Parshall, Peter. “Ugo da Carpi, Raphael and his Mistress and The Odyssey: A Reinterpretation.” Print Quarterly  26, no. 2 (2019): 160 – 162. To view, click here.

Takahatake, Naoko. The Chiaroscuro Woodcut in Renaissance Italy. Los Angeles: Los Angeles County Museum of Art, 2018. Cat 18.

ADDITIONAL READING

Bialler, Nancy. Chiaroscuro Woodcuts: Hendrick Goltzius (1558 – 1617) and his Time. Ghent: Snoeck-Fucaju & Zoon: The first chapter is a brief introduction to the international chiaroscuro woodcut, and considers the works of Ugo alongside northern counterparts. To view, click here.