Caraglio after Rosso | Saturn and Philyra
Marcantonio after Michelangelo | Man pulling up Breeches
after Veneziano, after Michelangelo | The Climbers
Marcantonio | David and Goliath
Florentine School | Children at the vintage, with the story of Theseus and Ariadne
Baldini | The Moon
BIBLIOGRAPHY Cropper, Elizabeth. Florentine drawing at the time of Lorenzo the Magnificent: papers from a colloquium held at the Villa Spelman, Florence. Bologna: Nuova Alfa Editoriale, 1992. pp. 181 – 196. Print. Levinson, Jay A. Early Italian engravings from the National Gallery of Art. Washington: National Gallery of Art, 1973. (To access the relevant pages, click here. Probably the best place to start). Phillips, John Goldsmith. Early Florentine designers and engravers: Maso Finiguerra, Baccio Baldini, Antonio Pollaiuola, Sandro Botticelli and Francesco Rosselli. Cambridge, MA: Harvard University Press, 1995. Digitised on SOLO. FURTHER READING Whitaker, Lucy. “Maso Finiguerra and early Florentine printmaking.” In Drawing 1400–1600: Invention and Innovation. Edited by Stuart Currie. Aldershot: Ashgate, 1998. Print
Pollaiuolo | The Battle of the Nudes
Many major museums have a version of the print digitised and catalogued. It’s worth reading some of these short, but highly informative entries. A particularly useful catalogue note can be found on the Cleveland Museum website. A separate conservation site dedicated to the Cleveland sheet is packed with useful information, and can be accessed by clicking here. In particular, the section titled “Engravings, impressions and states” is a helpful guide for the terminology used by print historians, and for how a print is examined and written about by art historians and conservators today. For a brief introductory video on the work click here. BIBLIOGRAPHY Landau, David and Peter Parshall. Renaissance Print, 1470 – 1550. New Haven: Yale University Press, 1994. Chapter III, “The Development of a Tonal System,” pp. 73-74. Digitised on SOLO. Langdale, Shelley R. Battle of the Nudes: Pollaiuolo’s Renaissance Masterpiece. Cleveland: Cleveland Museum of Art, 2003 Lincoln, Evelyn. The Invention of the Italian Renaissance Printmaker. New Haven: Yale University Press, 200: pp. 30 – 31. Digitised on SOLO. Oldzewski, Edward J. “Bring on the Clones: Pollaiuolo’s Battle of Ten Nude Men.” Artibus et Historiae 30, no. 60 (2009): 9 – 38. Digitised on JSTOR. FURTHER READING Evans, Mark L. “Pollaiuolo, Dürer and the Master IAM van Zwolle.” Print Quarterly 3, no. 2 (1986): 109 – 116. Digitised on JSTOR. Landau, David. “Review: Battle of the Nudes: Pollaiuolo’s Renaissance Masterpiece by Shelley R. Langdale.” Print Quarterly 20, no. 4 (2004): 408 – 412. Digitised on JSTOR. Levenson, Jay A., Konrad Oberhuber, and Jacquelyn L. Sheehan, Early Italian engravings from the National Gallery of Art. Washington: The National Gallery, 1973. Cat. 13. Print. Spangenberg, Kristin L. Six centuries of master prints: treasures from the Herbert Greer French collection. Cincinnati : Cincinnati Art Museum, 1993. Cat. 16. Print.
Caraglio after Rosso | Hercules killing the Centaur Nessus
