Israhel van Meckenem | Ornamental Engraving
Giulio Campagnola | The Young Shepherd
Robetta | Envy
Anonymous Italian | The Inferno
da Brescia after Mantegna | Holy Family
BIBLIOGRAPHY Hind, Arthur M. Early Italian Engraving: A Critical Catalogue with Complete Reproduction of All the Prints Described. Vol 5. London: Bernard Quaritch, 1948. pp. 33-54. Print. Landau, David and Peter Parshall. The Renaissance Print: 1470 – 1550. New Haven: Yale University Press, 1994 (Digitised on SOLO: not a huge amount on Giovanni Antonio, but enough to get an idea of his influence). Levinson, Jay A. Early Italian engravings from the National Gallery of Art. Washington: National Gallery of Art, 1973. pp. 235 – 264. (You can access the relevant pages by clicking here. Probably the best place to start).
Montagna | Woman and child with a wild man near a well
This print could address: The stylistic influence of Northern prints on Venetian printmakers The taste for subjects such as the “wild man” in Venetian “elite” prints of the period
da Brescia attr. | Ornamental Print
Possible alternative to the Veneziano ornamental print. This work is slightly earlier, and was possibly published in Venice. The attribution to Giovanni Antonio da Brescia , however, remains unconfirmed.
Dente | Spinario
This sheet could replace Marcantonio’s Massacre of the Innocents. It could act as a comparative work to contemporary Florentine and Venetian prints, highlighting Rome’s increasingly larger and more profitable print market.
Marcantonio after Raphael | Massacre of the Innocents
This print could address: Marcantonio’s career after leaving Venice and Florence to settle in Rome How his collaboration with Raphael created a print market in the papal capital different to that of Florence and of Rome
Campagnola, Giulio | Old Shepherd lying in a Landscape
This print could address: The influence of Giulio Campagnola on early Venetian engravers Links between his engravings and the contemporary works of Giorgione and Titian Giulio’s invention of stipple engraving